1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..  Related Paintings of Francisco de Zurbaran :. | St Francis | Saint Francis of Assisi | st, francis | St Casilda of Burgos | Hl. Romanus und Hl. Barulas von Antiochien |
Related Artists:
Harry Morley
1881-1943
MASTER of the Polling Panels
German Northern Renaissance Painter, active 1434-1450
Jacob Heinrich Elbfas
Swedish, born circa 1600-1664,was a portrait painter Elbfas was educated in Strasbourg in a tradition drawing back to Renaissance portraits. He established himself in Sweden from 1622 and from 1628 in Stockholm where he became a guild master. During the period 1634-1640 he worked as a court painter for Queen Maria Eleonora. His was frequently employed by the Swedish nobility and his influence on Swedish art was considerable until a new generation of artists were invited by Queen Christina during the 1640s.